Urban folk roots country blues…


This guy was born to write songs that you’d want to hear on your car stereo as you hit the road.
Brent Mckean, Revolver

“A seamless mix of country & folk from Down Under…encapsulates perfectly the appeal of the true singer-songwriter.” ****
MM, Maverick Magazine (UK)

“…the Sydney troubadour himself…Terrific songwriting and musicianship…Sydney’s answer to Townes van Zandt and Robert Earl Keen.”
Bryen Willems, Radio 2RRR

“a near perfect musical setting for these distinctly Australian tales of restless souls, ghosts of the past, desert vistas and suburban angst.”
Kim Cheshire in Country Update Magazine 


Mark Lucas – “Magnetic West”

Hard on the heels of April 2023’s Dead Setters outing, comes mark’s fourteenth release (if you don’t count the five digital only Bandcamp releases reflecting most of his ’80’s and ’90’s output).

“Magnetic West” is as much a celebration of time passages as anything, with songs reaching back to his childhood in England, migration to Australia in 1981 and then navigating the next forty odd years.

That said, the real stars here are Mark’s “rainy day friends”- co-producer / mandolin player / harmony vocalist Glenn Skarratt has been sharing stages and studios with Mark since the mid ‘90’s and was a key member of The Parwills, The Badhats and early Dead Setters; similarly, fiddle / harmony vocalist John Lee has been a sonic co-conspirator and Dead Setter across five albums and countless stages. James Gillard (bass) held down the bottom end twenty years ago on 2001’s “Ghost of Lost Creek Road” album, and James Church previously lent his magic to 2015 solo outing “Little Town Blues”. The result is a gentle mix of dry humour, romance and socio-political observation planted in a folk strewn ‘grassy field.

The album is released 19st February 2024 and available through Bandcamp in a limited cd run with an instrumental version also available through Bandcamp.


Mark Lucas & the Dead Setters – ‘Onward, Into the Fog’

The Dead Setters have, in various incarnations, been a part of the Sydney roots music scene for the better part of two decades, equally at home as string band or bar band, in the corner of the pub (without pokies!), or on a festival stage.

It’s been a while since their last outing; new Jake Lardot produced album, “Onward, into the Fog”, due for release in April 2023, grew out of demo recordings taken from regular weekly rehearsals which, like so many things, came to dead stop when the pandemic hit. The finished project enthusiastically reflects the diversity of influences at play in Mark’s songwriting, delivering a collection of soulful, melodic and at times intense alt. country rock songs reflecting a tumultuous time but never losing heart. The album is available on cd as well as through Bandcamp.  


Prisoners of the Heart – A retrospective

The trajectory of Mark Lucas’s career is akin to tracing a bird in flight. Perpetually restless, banking and diving and always observing – it is these characteristics, among others, that allow his unique lyrical view on the world.

In Sydney, Australia, his home since 1981, Lucas wears an awful lot of hats. Venue manager. Band booker. Activist. Adding yet another cap, he is a prolific singer-songwriter whose productive output is as inspiring as it is diverse.

During the 1980s, Mark experimented with rock and pop, before returning to his country and folk roots in the 1990s. These are not just stories; they are as much observational as they are impressionistic. True to his English heritage as a songwriter to match Graham Parker or Elvis Costello, he also has cynicism to burn.

Prisoners of the Heart, Mark draws deep from his 22-year career as a solo artist and bandleader, as songwriter and masterful lyricist. His songs, like those of his heroes, Townes Van Zandt, Bob Dylan, Jerry Garcia and Guy Clark, do not always tend to the personal over the abstract. In fact, sometimes the opposite is just as true.

The 20-track CD draws from Lucas’s ten-album output, with the focus on his adroitly authored songs. His inspirations come from the worlds he inhabits, the people whose lives brush up against his.

This retrospective album tells many inspired stories of different lives, contrasting almost impressionistic lyrics with the more direct story song approach, like the cautionary tale of ‘Between The Ditches’ against ‘Shopping Town’, a meditation on commercial enterprise taking on real lives.

Whether working with his long-time backing group, the Dead Setters, or crafting his own guitar-and-voice meditations, he captures something special from the crumbs of the everyday. Like one of his inspirations, Guy Clark, he makes plain the idea that “some days you write the song/ some days the song writes you”.


Mark Lucas & the Dead Setters – ‘The Continental Drift’

the band’s fifth release offers gritty observations on life & love driven by a bunch of musicians schooled in everything from punk to country, but all with a taste for tale well told & a melody that hooks you in.

“… finds the group loosening their shoulders and opening up into a more eclectic Americana sound. The country-rock roots still remain but now they are enhanced with soulful touches, rousing rock’n’roll, languid atmospheric wanderings and an inherent Australian sun-kissed warmth on yet another strong release from Lucas and band.”
Chris Familton – The Music

“The recipe seems pretty simple: creeping easy on the ear melodies, songs written with ingredients from the store where Tom Petty and Elliott Murphy shop, a voice which is very akin to that of Gerry Rafferty, guitar sounds emerging from the strings of Bonnie Raitt … well, enough parts to make the great record that this CD has become.”
Dani Heyvaert – rootstime.be


‘Little Town Blues’ (Laughing Outlaw Records LOR174CD)Little Town Blues

“I’d place Mark Lucas in the same category where you find the late Townes Van Zandt and John Prine, or Robert Earl Keen: handsome, easy-to-the-ear melodies, beautiful, pure, at times bitter and sardonic lyrics, and a number of songs which you could immediately catalogue as “gets stuck in your head”. “Please tell the DJ” is one such, a slow waltz that Willie Nelson could cover to his benefit.


– Dani Heyvaert, Rootstime.be (Belgium)

“…after all these years writing and recording songs, he’s still got plenty to draw on, and you just can’t fake soul like this.” – Whisperinandhollerin (Ireland)

“…an exemplary example of Australian songwriting, full of beautifully restrained playing and honest lyrics.” – Chris Familton, The Music